Making Withered Bonnie Head: FNAF 2 Movie Prop

Hey guys! So, you're probably here because you're as hyped about the FNAF 2 movie as I am, right? Well, I decided to take on a seriously awesome project: building a Withered Bonnie head. And not just any head, mind you – I aimed for something worthy of the big screen! Over the course of four days, I dove headfirst into the world of prop making, and I'm stoked to share the entire process with you. This isn't just a guide; it's a peek behind the curtain of a DIY project, filled with challenges, triumphs, and hopefully, some serious inspiration. Get ready to learn about the tools, the materials, and the sheer joy of bringing a creepy, iconic character to life. Let's get started on how to create the perfect Withered Bonnie head.

Day 1: Planning, Materials, and the Initial Framework

Withered Bonnie head is a complex prop, so day one was all about laying the groundwork, which is planning and gathering materials. I knew from the start that I wanted this head to be as screen-accurate as possible, so research was the name of the game. I spent a good chunk of time analyzing reference images from FNAF 2 and the upcoming movie, paying close attention to the shape, proportions, and, of course, those terrifyingly detailed textures. My goal was to capture Bonnie's signature look – the missing face, the exposed endoskeleton, and those glowing, menacing eyes. The beginning part involved selecting the appropriate materials for the head. This included the construction of the base frame, and the use of foam and other materials to create the shape and form of the head. This head would not be easy, but I was motivated to see the final output. The main goal of this day was to acquire the base materials and get a sense of how big this Withered Bonnie head would be.

Next, the materials. I knew I'd need a sturdy base, so I opted for a combination of PVC pipes for the internal structure and expanding foam to build the overall shape. For the outer shell, I decided on a combination of different foams, and for the visible endoskeleton parts, I chose a sturdy and easily workable material. I also gathered an assortment of tools: a hot glue gun (a prop maker's best friend!), box cutters, sandpaper, and a heat gun to help with shaping the foam. One thing to keep in mind is that proper ventilation is crucial when working with some of these materials. Now, onto the frame. This was the skeleton of the whole operation. I cut and assembled the PVC pipes into a basic head shape, keeping in mind the proportions of Bonnie's head. I then started to build up the form using the expanding foam. This stuff is amazing, but also messy! I had to be super careful to work in a well-ventilated area and wear gloves and a mask. As the foam expanded, it started to take shape, giving me a rough outline of the head. It was still pretty rough at this point, but it was a great start. Finally, the first day ended with a rough outline of the Withered Bonnie head. It was time for the next day, which would hopefully be better.

Challenges and Learning Points

• Material Selection: Choosing the right materials is crucial. The PVC pipes provided the necessary rigidity, and the expanding foam allowed me to create the initial shape.
• Safety First: Working with expanding foam and other materials requires proper ventilation and safety gear. Always protect your eyes, skin, and lungs!
• Patience: Prop making takes time. Don't rush the process; take your time to ensure accuracy.

Day 2: Shaping and Detailing the Foam Structure

Alright, day two was all about the details! With the basic frame and expanding foam in place from day one, it was time to start sculpting and refining the head's shape. This meant a lot of sanding, carving, and fine-tuning to get the proportions just right. Think about those menacing eyes, the jagged edges where Bonnie's face is missing, and the overall menacing look. This is the stage where the Withered Bonnie head begins to take on its character. I grabbed my tools, and spent hours slowly removing foam, smoothing out curves, and adding details. I wanted to make sure that the overall look was as accurate as possible to the FNAF 2 reference images. The heat gun came in handy for some of the more intricate shaping, allowing me to manipulate the foam and create those distinct textures. I worked on refining the jawline, shaping the ears, and creating the rough, damaged texture that defines Withered Bonnie. It's a messy process, but seeing the head come to life is incredibly rewarding.

I then shifted my focus to the facial features. The goal was to create the illusion of depth and damage, which is a key characteristic of Withered Bonnie. I used a combination of carving and sculpting to achieve this. The areas where the face is missing were especially challenging, as I wanted to create a sense of decay and the exposed endoskeleton. I cut and shaped the areas that were missing, using the reference images for guidance. I also started working on the eyes, making sure they were placed correctly and that they would have the right look later on. This included shaping the eye sockets and preparing them for the glowing eyes that I planned to incorporate. This day was all about creating the physical form, and also about getting the head to look like Bonnie. Finally, I was able to see the results.

Challenges and Learning Points

• Precision: Detailed work requires patience and a steady hand.
• Using the Right Tools: Each tool has a specific purpose.
• Reference Images: Constant reference to images ensures accuracy.

Day 3: Adding the Endoskeleton and Texturing

Day three was where the magic really started to happen. It was time to integrate the endoskeleton and create the textured surface of the Withered Bonnie head. This involved adding the endoskeleton pieces, which had to be cut and attached. I wanted the endoskeleton to look as realistic as possible. I looked at the reference images and began to build up the endoskeleton pieces. It was time to give the head its mechanical insides. I started by planning out the placement of the endoskeleton parts. I needed to ensure everything would fit together and be visible in the right places. After carefully measuring and marking, I cut and attached the endoskeleton pieces. I focused on the jaw, the eye sockets, and the areas where the endoskeleton is visible through the damaged parts of the head. This process was challenging, but also incredibly exciting. The head was finally starting to look like Withered Bonnie. This process involved the meticulous cutting, shaping, and positioning of these pieces to match the character's iconic design. It was a crucial step in bringing the animatronic to life.

With the endoskeleton in place, I then moved on to the surface texture. This involved creating the illusion of wear and tear. I used various techniques to achieve this, including sanding, scratching, and applying different materials to create the desired effect. I worked on the areas that should be damaged to make them look authentic. This was an opportunity to get creative. This also helped me understand how the head was created, which gave me more respect for the props team. I looked closely at the reference images to understand the textures, paying attention to how the damage was distributed and what materials created the most realistic effect. Once the surface was ready, it was time to apply the paint. I carefully chose the colors and began to paint the head, adding multiple layers. The paint helped to complete the image and get the details that I wanted for this prop. I wanted to add some final finishing touches to add extra detail. Finally, it was time to add the final touches.

Challenges and Learning Points

• Detailing: Adding the endoskeleton and texturing requires attention.
• Materials: Using various materials ensures different textures.
• Coloring: Adding paint can bring the prop to life.

Day 4: Painting, Finishing Touches, and the Big Reveal!

Finally, the day we've all been waiting for: the Withered Bonnie head's final reveal! After all the hard work, it was time to bring the head to life with paint, then finish it with any needed finishing touches. I began with a base coat, using a darker shade of purple to match Bonnie's signature color. Then, I added layers of paint, carefully blending and shading to create the illusion of depth and realism. I had to focus on the color accuracy of the FNAF 2 movie design, ensuring that it looked as authentic as possible. I also added details such as the metallic sheen on the endoskeleton parts and the glowing eyes. This required a careful blend of colors and techniques to make them pop.

With the painting complete, I moved on to the finishing touches. This involved adding the eyes, which are a defining characteristic of Withered Bonnie. I also added some finishing details. I installed LED lights. The addition of these details helped to elevate the prop from a simple replica to a truly lifelike representation of the character. Once I was happy with the final product, it was time to take photos and document the build. I wanted to create a lasting memory of my effort to create the head. Taking photos of the build was a must, so that I could track the entire process.

I also prepared a video showing the entire build process. And now, the moment of truth! After all the effort, time, and dedication, I finally had my Withered Bonnie head ready. Seeing the finished head was one of the most fulfilling experiences. The head was complete and ready to show to the world. And that's a wrap, guys! I hope you enjoyed this journey as much as I did. Prop making is all about patience, creativity, and a little bit of craziness. It's a super fulfilling hobby, and I encourage you to try it out sometime. And hey, maybe we'll see your Withered Bonnie head in the FNAF movie one day! Keep creating and keep the spirit of FNAF alive!

Challenges and Learning Points

• Patience: Painting requires a steady hand and patience.
• Attention to Detail: Small details can bring the prop to life.
• Enjoy the Process: Prop making is all about enjoyment and fun.